Monday 18 July 2011

The Kiss

You’ve reached that long-awaited kiss scene. There’s been suspense, yearning, and unbelievable tension. Now it's finally happening.

But how do you write a kiss scene that lives up to the expectations of the reader? What do you need to ensure both the readers and your characters are satisfied after what was an almost painful build up?

Like all scenes, you need to include the senses. However, when it comes to THE kiss, there are a few changes to the balance.

Touch

Unlike most other scenes, this is the most important sense, as it is heightened during passion. Touch will be the focus of a kiss scene. Hot breath, caressing lips, roaming hands – bring it all in, but don’t go overboard with tongue descriptions. Sure, there might be a tongue flickering in somewhere. Just don’t spend too much time on it. I don’t know about you, but that was the kind of stuff I wrote about in high school. And when I read it now, it makes me squirmy.

Phrases to think about:

Hot breath against skin/mouth
Fingers trailing against skin
Fingers threading through hair
Lips against lips/jaw/cheek/neck
Hands around waist
Arms around neck


Taste

Unless it’s important to the story, I wouldn’t suggest putting in tastes that aren’t universally enjoyed. Beans, seafood, morning breath, cigarettes (yes, I know, but not all your readers will be smokers) can probably be left out unless you want the kiss scene etched in your readers’ minds for all the wrong reasons. And if you’re going to mention a less common taste, it’s a good idea to have your other character know how it got there, either by seeing them eat it beforehand, or ask about it afterwards.

Some suggestions for pleasant tastes:

Beer (as a masculine choice)
Chocolate
Peppermint
Spearmint
Caramel
Coffee
Liquorice
Cinnamon
Honey
Wine
Whiskey
Butterscotch


Any to add?

Smell

Like taste, your characters’ scents should be universally pleasant. If you want some ideas for different flavours, do a google search on perfumes and colognes and see how creators describe their products. For something a little more unusual, try candle scents. There are dozens of smells to choose from. Just make sure that the smell matches the character – don’t go giving them an ocean spray perfume if they hate the sea.

Examples of candle scents (extensive list found here):

Almond
Apple blossom
Bay breeze
Cherry vanilla
Coffee
French vanilla
Gardenia
Lavender
Peach
Raspberry
Rose
Wisteria


Sound

Stick with soft moans, sighs, murmurs, and groans from the characters involved, and that’s it. This is one of the few times in the story where background detail and grounding won’t be needed. A character in the middle of a passionate kiss isn’t going to notice a stove bubbling away in the kitchen, or a pigeon cooing on the terrace, or even people around them in a marketplace. Not if they’ve been waiting for this kiss for a long time.

Sight

This is probably the least important sense to a kiss scene. Hopefully your characters aren't going to see much for the majority of the moment - it'd be a bit awkward if they’re standing there with their eyes open. Describing the love interest’s dishevelled look between kisses is a treat for the reader. Loose collars, messy hair, flushed cheeks, and unfocussed eyes make for saucy reading.

Any other sensory details you could add?

Once the senses are done, character thoughts can be added. But remember, not a lot of thinking goes on during a kiss scene, and readers don’t want to be bombarded with too much internal monologuing. Select a subtle combination from the list above, add your own twists and preferences, slip in a few stray I can’t believe this is finally happening thoughts, and you have yourself that long-awaited kiss scene.

6 comments:

  1. Loose collars, messy hair, flushed cheeks, and unfocussed eyes --- HELLO, GABE! Lol, exactly what I picture him to be like in book 4 hahaha

    Very informative post my friend! Especially since at this point in time, books I've read are all I have to go on, research-wise ^_^

    AND AND AND WHEN I WAS CREATING MY CHARACTER PROFILES BEFORE, I GAVE MY CHARACTERS SIGNATURE SCENTS EVEN THOUGH IDK REALLY WHY, BUT I DID. I SHOULD USE THIS. YES. YES. But since Erin won't be kissing Isla or anything, mebbe I'll just use the scent as a perfume thing...

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  2. Also, your subheading!!! TO WRITE IS TO DREAM! THIS, IN A SENTENCE EXACTLY, IS WHY I'M GOING WITH 'DREAM'! AHHHHH WE ARE SO BRAIN-CONNECTED!! XD

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  3. Great post! Senses are so key to painting a picture for the reader. I think the emotional goings on are just as important, of course. There has to be a balance, and finding that perfect balance of emotion/inner thought and physical/sensory details makes for a great scene, especially if the reader is thoroughly attached to the characters and the moment has been "earned".

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  4. Emma - you can use the scents, even when not kissing. Promise :)

    Sarah - excellent point! Although I'd steer clear of "telling" the reader explicitly that your character feels love or passion or whatever it is you're going for. "Showing" is the common favourite, and I think the reader will feel that love for themselves if they're told through senses and introspection (that balance, as you said) rather than shown. Thanks as always for your input! :)

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  5. This is the most thorough post on kissing I think I've ever seen. Awesome!

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  6. I may need to revisit my MC's first kiss scene... >_>

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